Again a proof of Tait's genius for portraiture, and a film about the notion of portraiture itself and the investure of love in the seen portrait. What is film for? Why is it different from still photography, where it comes to seeing its subject? What can it tell us about someone? How somebody moves. How somebody is still. Her mother sits in a landscape, keeping time to a tune w...
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善良的种类
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西施新传
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最后的海洋之女
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谣言
一雪前耻
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